Terry Schlenker

orchestral, piano and chamber composer

About

Terry Schlenker grew up in a farming family on the Great Plains of North Dakota, where an early fascination with the piano led him—somewhat improbably for a farm boy—to begin composing music at the age of twelve. Despite the limitations of a small rural community, he pursued a musical education and went on to study composition at the University of North Dakota and the University of Denver’s Lamont School of Music, where he earned a Master of Arts degree in composition.

Early in his compositional career, Schlenker focused primarily on piano, chamber, and orchestral works. In recent decades, his creative energy has been devoted largely to a cappella choral music. An active choral singer, he has performed with professional and professional-level ensembles including Ars Nova Singers, St. Martin’s Chamber Choir, Santa Fe Desert Chorale, and Kantorei. Singing as a second bass, he frequently features the lower voices of the choir in his compositions. His choral works are widely performed and recorded and are published by numerous publishers. They have been broadcast regularly on National Public Radio and other classical stations, with features on programs such as Colorado Matters, Colorado Spotlight, Sacred Classics, Sing, Classical Discoveries, and Sound Currents. His music has also been performed at national and international events, including the conventions of Chorus America and the American Choral Directors Association (ACDA), the International Festival of GALA Choruses, and the National Choral Festival.

For Schlenker, composition is not an esoteric intellectual exercise, but a means of articulating beauty, expressing his deepest self, and forging an emotional and spiritual connection for himself, and performers and listeners alike.

In parallel with his life as a composer, Schlenker has had a distinguished career as a scientist. An embryologist by profession, he is the founding embryologist and first laboratory director of the Colorado Center for Reproductive Medicine, one of the world’s most successful human in vitro fertilization programs. The organization has since expanded into a network of 19 clinics across North America known as CCRM-IVF. He continues to work part-time as a clinical embryologist and serves as an embryo and embryologist advocate and consultant in the field of embryology.

Upcoming Performances

The Waking | Nigra Sum

Performed by The Kansas City Chorale
Under the direction of Charles Bruffy

Brennen’s Lullaby | Light | The Poem, the Song, the Picture | In the World by Me

Performed by Kansas City Chorale
Under the direction of Charles Bruffy

Pater Noster (World Premiere) | Lux Aeterna | Into Paradise | Timor et Tremor

Performed by The Kansas City Chorale
Under the direction of Charles Bruffy

The Bird of Vision (World Premiere Performance)

Performed by Combined concert with Ars Nova Singers, Kantorei & St. Martin’s Chamber Choir
Under the direction of Tom Morgan, Artistic Director
Commission for the 40th Anniversary of Ars Nova Singers

Recent Performances

O Come Emmanuel

Performed by The Kansas City Chorale
Under the direction of Charles Bruffy

O Come Emmanuel | Of the Father’s Love Begotten | Let all Mortal Flesh Keep Silence

Performed by St. Martin’s Chamber Choir
Under the direction of Timothy J. Krueger

In the World by Me | Laudate Dominum in Sanctis Ejus | High Flight, Green Pastures | Still Waters | The Poem, the Song, the Picture

Performed by The Kansas City Chorale
Under the direction of Charles Bruffy

Domine Deus in Sanctis Ejus

Performed by Prometheus
Under the direction of R. Paul Crabb, Artistic Director

Agnus Dei, from the Mass for Double Choir

Performed by Plymouth Congregational Church Choir
Under the direction of Philip Brunelle, Choirmaster

Sanctus, from Mass for Double Choir

Performed by St. Martin’s Chamber Choir
Under the direction of Timothy J. Krueger

Mass for Double Choir: Green Pastures, Still Waters (World Premiere Performance)

Performed by Kantorei
Under the direction of Joel Rinsima, Managing Artistic Director

Music

Choral Music

Testimonials

“This piece is a lush and rarefied piece of strong sacred power and appeal. Name any spiritual emotion typically evoked by the Latin mass: hushed mystery, crushing grief, ecstatic joy, or abject reverence – and you’ll find it here. The music – performed here for the first time anywhere – is radiant and ethereal, built on modal (and other ancient) foundations, deftly translated into striking and original modern musical language.”
American Record Guide
“This new CD includes premieres from the 10th season of Denver’s St. Martin’s Chamber Choir. The feature work, Mass for Double Choir, is written by ensemble member Terry Schlenker and is distinctively unique. It is filled with precision, beauty and dramatic intensity, yet is devout and songful. It has been said this piece “has legs”...that it will be performed by other choirs. It offers a prestigious challenge to listener and singer alike. The Mass presents rich and varied harmonies that ring with expressive power.”
CollegiumUSA.com/ClarionRecords.com
"'I wake to sleep, and take my waking slow. I learn by going where I have to go.'

Set to such gently provocative prose by American poet Theodore Roethke, Terry Schlenker's "The Waking" — for choir and chamber orchestra — is an emotionally compelling musical experience that recalls the compositional spirit of Ralph Vaughan Williams.

Commissioned by the St. Martin's Chamber Choir and Augustana Arts, the world premiere of "The Waking" saturated St. John's Episcopal Cathedral on Sunday afternoon with a haunting, harmonically expansive soundscape comprising open choral unisons and a rhythmically mesmerizing orchestral accompaniment that was ably delivered by the Musica Sacra Chamber Orchestra."
Sabine Kortals
special to The Denver Post
"[O Come Emmanuel] is a resplendent arrangement….”
Kyle MacMillan
Denver Post Critic-at-Large

Contact